Laurence - introduction

1. Tell us a bit about your career history; did you start as a film/cinema guy or were you a TV/video guy like Hugh and me?

2. An overview of the last few years of DCinema delivery

3. How do finished films leave the mastering facility and get to my local flea pit?

4. JPG2000 - why an IFrame codec? Video guys imagine delivery codecs should be long-GOP. Colour space - how much bigger than Rec.709?

5. Content Protection - how does it work?

6. Why do you see so many different DCinema servers in the same machine room? Dolby, Doremi, DVS etc

7. Network delivery - how's that coming on?

8. Projection - same models of servers in the theatres as I see in Deluxe's MCR?

9. Perhaps we could then talk a bit about theatres -  projectors and screen. Typical manufacturers; Sony 4K starting to dominate?

10. Audio - how does the DCP package carry audio? Description - where does that sit?

11. Audio - typical arrangement of speakers, amps? control?

12. ATMOS - an overview (perhaps a podcast in it's own right?!)